Xie Lei
Mort heureuse

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The features of his figures preclude them from any form of categorization, be it gender, race or class. In an era that is justifiably concerned with positionality and involvement, Xie Lei depicts bodies subjected to a kind of identity fugitivity. [...] Within his long series of works, we should note that the bodies—and whatever they are doing—have been increasingly dissolving into the colored backgrounds.

  • Xie Lei
  • Protection II , 2024
  • Oil on canvas
    • 65 ×
    • 90 ×
    •  cm
    /
    • 25 9/16 ×
    • 35 7/16 ×
    •  inches
    •  unframed
    • 67.5 ×
    • 92.5 ×
    • 6 ×
    •  cm
    /
    • 26 9/16 ×
    • 36 7/16 ×
    • 2 3/8 ×
    •  in
    •  framed

  • Xie Lei
  • Handle , 2024
  • Oil on canvas
    • 65 ×
    • 50 ×
    •  cm
    /
    • 25 9/16 ×
    • 19 11/16 ×
    •  inches
    •  unframed
    • 67.5 ×
    • 52.5 ×
    • 6 ×
    •  cm
    /
    • 26 9/16 ×
    • 20 11/16 ×
    • 2 3/8 ×
    •  in
    •  framed
  • Xie Lei
  • Intimation , 2024
  • Oil on canvas
    • 30 ×
    • 40 ×
    •  cm
    /
    • 11 13/16 ×
    • 15 3/4 ×
    •  inches
    •  unframed
    • 32.5 ×
    • 42.5 ×
    • 6 ×
    •  cm
    /
    • 12 13/16 ×
    • 16 3/4 ×
    • 2 3/8 ×
    •  in
    •  framed

  • Xie Lei
  • Absorb , 2024
  • Oil on canvas
    • 30 ×
    • 40 ×
    •  cm
    /
    • 11 13/16 ×
    • 15 3/4 ×
    •  inches
    •  unframed
    • 32.5 ×
    • 42.5 ×
    • 6 ×
    •  cm
    /
    • 12 13/16 ×
    • 16 3/4 ×
    • 2 3/8 ×
    •  in
    •  framed

The theoretical references cited by Xie Lei are however quite different and more familiar: Sigmund Freud and Julia Kristeva, and thus linked to the field of psychoanalysis. Moreover, Xie Lei has long used the term oneirique or dreamlike to define his practice. I want to highlight this particularity since art shares with psychoanalysis a focus on exploring the question of our representations. In contrast with repression which bespeaks the refusal to represent a desire seen as problematic, I’m more interested in the dynamic mechanisms of the unconscious, such as dreams and drives (including the death drive, whether happy or not, which brings us back to the title of this exhibition) and which both have something to do with desire.

  • Xie Lei
  • Gather , 2024
  • Oil on canvas
    • 50 ×
    • 65 ×
    •  cm
    /
    • 19 11/16 ×
    • 25 9/16 ×
    •  inches
    •  unframed
    • 52.5 ×
    • 67.5 ×
    • 6 ×
    •  cm
    /
    • 20 11/16 ×
    • 26 9/16 ×
    • 2 3/8 ×
    •  in
    •  framed


  • Xie Lei
  • Possession , 2024
  • Oil on canvas
    • 170 ×
    • 140 ×
    •  cm
    /
    • 66 15/16 ×
    • 55 1/8 ×
    •  inches
    •  unframed
    • 172.5 ×
    • 142.5 ×
    • 6 ×
    •  cm
    /
    • 67 15/16 ×
    • 56 1/8 ×
    • 2 3/8 ×
    •  in
    •  framed
  • Xie Lei
  • Resonance , 2024
  • Oil on canvas
    • 170 ×
    • 140 ×
    •  cm
    /
    • 66 15/16 ×
    • 55 1/8 ×
    •  inches
    •  unframed
    • 172.5 ×
    • 142.5 ×
    • 6 ×
    •  cm
    /
    • 67 15/16 ×
    • 56 1/8 ×
    • 2 3/8 ×
    •  in
    •  framed
  • Xie Lei
  • Protection I , 2024
  • Oil on canvas
    • 170 ×
    • 140 ×
    •  cm
    /
    • 66 15/16 ×
    • 55 1/8 ×
    •  inches
    •  unframed
    • 172.5 ×
    • 142.5 ×
    • 6 ×
    •  cm
    /
    • 67 15/16 ×
    • 56 1/8 ×
    • 2 3/8 ×
    •  in
    •  framed

  • Xie Lei
  • Charmeur , 2024
  • Oil on canvas
    • 170 ×
    • 140 ×
    •  cm
    /
    • 66 15/16 ×
    • 55 1/8 ×
    •  inches
    •  unframed
    • 172.5 ×
    • 142.5 ×
    • 6 ×
    •  cm
    /
    • 67 15/16 ×
    • 56 1/8 ×
    • 2 3/8 ×
    •  in
    •  framed
  • Xie Lei
  • Allusion , 2024
  • Oil on canvas
    • 170 ×
    • 140 ×
    •  cm
    /
    • 66 15/16 ×
    • 55 1/8 ×
    •  inches
    •  unframed
    • 172.5 ×
    • 142.5 ×
    • 6 ×
    •  cm
    /
    • 67 15/16 ×
    • 56 1/8 ×
    • 2 3/8 ×
    •  in
    •  framed

The impossibility of precisely characterizing the scenes the artist shows us, reflects the representation of the impossibility of linguistic intermediation, which is in fact, the very definition of the unconscious). What Xie Lei depicts on his works we can only imagine and is beyond words, things that might uninhibitedly erupt into our consciousness. The scenes he has been creating since at least 2020 are part of an ongoing cycle, whose very subject is illegibility.

  • Xie Lei
  • Impulsion , 2024
  • Oil on canvas
    • 170 ×
    • 140 ×
    •  cm
    /
    • 66 15/16 ×
    • 55 1/8 ×
    •  inches
    •  unframed
    • 172.5 ×
    • 142.5 ×
    • 6 ×
    •  cm
    /
    • 67 15/16 ×
    • 56 1/8 ×
    • 2 3/8 ×
    •  in
    •  framed
  • Xie Lei
  • Expectation , 2024
  • Oil on canvas
    • 170 ×
    • 140 ×
    •  cm
    /
    • 66 15/16 ×
    • 55 1/8 ×
    •  inches
    •  unframed
    • 172.5 ×
    • 142.5 ×
    • 6 ×
    •  cm
    /
    • 67 15/16 ×
    • 56 1/8 ×
    • 2 3/8 ×
    •  in
    •  framed
  • Xie Lei
  • Sorrow , 2024
  • Oil on canvas
    • 170 ×
    • 140 ×
    •  cm
    /
    • 66 15/16 ×
    • 55 1/8 ×
    •  inches
    •  unframed
    • 172.5 ×
    • 142.5 ×
    • 6 ×
    •  cm
    /
    • 67 15/16 ×
    • 56 1/8 ×
    • 2 3/8 ×
    •  in
    •  framed

  • Xie Lei
  • Ritual , 2024
  • Oil on canvas
    • 90 ×
    • 65 ×
    •  cm
    /
    • 35 7/16 ×
    • 25 9/16 ×
    •  inches
    •  unframed
    • 92.5 ×
    • 67.5 ×
    • 6 ×
    •  cm
    /
    • 36 7/16 ×
    • 26 9/16 ×
    • 2 3/8 ×
    •  in
    •  framed
  • Xie Lei
  • Shadow , 2024
  • Oil on canvas
    • 170 ×
    • 140 ×
    •  cm
    /
    • 66 15/16 ×
    • 55 1/8 ×
    •  inches
    •  unframed
    • 172.5 ×
    • 142.5 ×
    • 6 ×
    •  cm
    /
    • 67 15/16 ×
    • 56 1/8 ×
    • 2 3/8 ×
    •  in
    •  framed

  • Xie Lei
  • Embrace II , 2024
  • Two-color lithography. Edition of 25. Printer Idem, Paris
    • 35 ×
    • 25 ×
    •  cm
    /
    • 13 3/4 ×
    • 9 13/16 ×
    •  inches
  • Xie Lei
  • Embrace I , 2024
  • Two-color lithography. Edition of 25. Printer Idem, Paris
    • 35 ×
    • 25 ×
    •  cm
    /
    • 13 3/4 ×
    • 9 13/16 ×
    •  inches

Xie Lei chose painting through personal conviction, as it opens up a pathway towards a language capable of expressing his sensory universe and a field of experimentation that allows him to delve into the specificity of this medium in the contemporary world. His work always starts with a basis in reality before taking flight to explore uncertain or ambiguous realms that are transformed by his imagination. Most of his paintings refer to murky or disturbing situations, discreetly linked to literary or cinematographic memories or drawn from a profound crucible of personal emotions. His work dwells on the complexity of events and situations and above all their ambiguity and the tensions they foster. His recent painting intrigues through its exploration of a world in-between sleep and death, torment and eroticism. The colors are somber but shift towards the luminous and the powerful. His touch is both fluid and more textured. Xie Lei’s painting is singular in that it offers up an alternative perception of time: in a salutary manner, it suggests a slowing of the spectator’s gaze and an escape from the intoxicating world of immediacy and constant acceleration. 

Xie Lei (b. 1983 in China) has lived and worked in Paris since 2006. He graduated from the CAFA in Beijing then the ENSBA in Paris. His works have been exhibited in numerous institutions: Louis Vuitton Foundation, Paris (FR); MO.CO, Montpellier (FR); CAPC, Bordeaux (FR); Villa Noailles, Hyères (FR); Collection Lambert, Avignon (FR); MAC VAL, Vitry-sur-Seine (FR); Langen Foundation, Neuss (DE); Musée National d’Histoire d’Immigration, Paris (FR); Ricard Foundation, Paris (FR). His oeuvres feature in many collections such as the Thyssen-Bornemisza Art Contemporary, MAC VAL, Albertina Museum and X Museum. Xie Lei was resident at the Casa de Velázquez, Madrid (2020-2021) and at the Villa Medici, Roma (2024).